《中国古代名家作品选粹:蓝瑛》收录了蓝瑛创作的《山水》册页、《花鸟》册页、《白云红树图》《白树红云图》、《 仿大痴山水图 》、《仿黄鹤山樵山水》、《仿一峰山水》、《仿张僧繇山水》、《红叶秋禽图》、《江皋飞雪图》、《茅亭话旧图轴》、《秋色梧桐图》、《秋山图》、《秋山行旅图轴》、《秋山幽居图》、《秋山渔隐图》、《松萝晚翠图》、《溪山秋色图》卷。等作品。是当代学习中国传统绘画的优秀范本。
茅亭话旧图
蓝瑛明代杰出画家，蓝瑛的山水画取法郭熙、李唐及马、夏，而且对二米、云山也精心研究过。对黄公望的画悉心尤力。当代前辈沈周的画也热心师效。加之漫游南北涉猎既广，眼界自宽，故落笔纵横奇古，风格秀润。蓝瑛六十五岁以后的创作，是蓝瑛一生中最精彩的时期。此时他在融会贯通前人技法的基础上，自立门户，形成了自己的绘画风貌。有人评其晚年画风“绝似仲圭，复似启南”，一语道出蓝瑛画风在渊源上与文人画的关系和晚年苍劲雄浑的画风。
这幅画自题用董源法，笔墨细腻，笔法软熟老到。画法受董其昌影响较大，尤其画面右侧树木为标准“华亭派”画法。画面右上自题“北苑太守画法于西溪之凝紫山庄。七十二叟蓝瑛”。
今天给大家介个绍的《茅亭话引旧图》是蓝瑛72岁时所作的，自题用董源法，笔墨细腻，笔法软熟老到。皴然收放自如，从此时期的作品来看，笔法苍劲疏宕，伟峻老练，画风呈多种面貌有些作品笔墨含蓄隽雅，有些作品青绿重设色，画法工细，色调浓丽，愈老而愈工。这一时期他主要以敏捷快速的粗笔山水为主，山石的轮廓线短小、破碎、躁动，以破笔点苔，以侧锋皴擦；树木的画法更加曲屈苍老和类型化。构图上也基本形成了一种统一的样式：巍峨雄伟的山体以棱角分明的几何体组成并繁复堆积，占据画面的大部分且多偏向一侧，而于另一侧留出一定的空间，山顶突出。山间有飞瀑丛树，山脚以渔樵隐士、老树茅屋点缀。同时出现了山体的立轴画中纵向拉长，在手卷中则横向延伸的变形现象，此画存世罕见，具有不可估量的收藏价值。
对弈图
看《对弈图》的整体布局，核心位置有三个人物，人物分置三个位置，两人在对弈。右边的是正准备落子的中年人，左侧是一位沉思右手拇指和食指尖捏着棋子举棋未定的中年人，双目打量着对方，似乎在考虑着什么。而两人中间红衣服童子，也在看看这棋局到底如何。他脸颊微微泛红，有酒后微薰之感，此处可理解为看下棋太投入看醉了，实在高妙精微！
《对弈图》是张大千的精品力作，高士们在和煦清风、柳枝摇曳的环境下偷得浮生、对弈布局天下。图中所绘的人物，比例恰当，神情端庄，形象逼真，精神内敛。其中人物无论是头饰还是衣褶都符合当时那个时代的特色，对弈者的头饰用了敦煌壁题材画作的矿物质颜料；鬓发须眉，勾勒细致。这是张大千用古雅之法，笔墨交代清晰，毫不含糊的具体体现。细细品味，其人物栩栩如生，表情丰富，内心活动入情入理，用笔洒脱、大方飘逸，极具收藏价值。
唐寅（yín）（1470年—1523年），字伯虎，又字子畏，以字行，号六如居士、桃花庵主、鲁国唐生、逃禅仙吏等，杭州人士。明朝著名的画家、诗人。据说他于明宪宗成化六年庚寅年寅月寅日寅时生，故取名为寅。
唐寅仕女图
此图为唐寅人物画中工笔重彩一路画风的代表作品，显示出他在造型、用笔、设色等方面的高超技艺。仕女体态匀称优美，削肩狭背，柳眉樱髻，额、鼻、颇施以“三白”，既吸收了张萱、周昉创造的“唐妆”仕女造型特色，又体现出明代追求清秀娟美的审美风尚。平稳有序，并通过微倾的头部、略弯的立姿和攀连的手臂，形成动态的多样变化和相互的紧密联系，加强了形象的丰富性和生动感。笔墨技巧近法杜堇，远宗唐人，衣纹作琴弦描，细劲流畅，富有弹性和质感，冠服纹饰描画尤见精工，细致入微。设色鲜明，既有浓淡、冷暖色彩的强烈对比，又有相近色泽的巧妙过渡和搭配，使整体色调丰富而又和谐，浓艳中兼具清雅。作品画风带有雅俗共赏的艺术特色。
仕女 ："士女"一词最早出现在朱景玄所著《唐朝名画录》，书中提到周、陈闳、张萱、程修已、高云、谭皎、王、萧溱、乐峻、张涉、张容、李凑等皆擅长画"士女"。至宋朝中期,"士女"一词才被广泛使用，代表的是中国古代那些美丽聪慧的女子，也是历代画家热衷描绘的对象，中国画中还有专门的"仕女画"类别，历代画家合并者按照自己心中"美"的理想来塑造仕女形象，但是，在男性至上的中国古代，理想的仕女更像是一件温雅不俗的文房清供，与天理人情琴棋书画相伴，点缀着历代文人墨客的悠闲生活。
仕女图亦称"仕女画"，是以中国封建社会中上层妇女生活为题材的绘画。是一种瓷器装饰的典型纹样，画面以仕女为主题。最早见于唐代长沙窑瓷器。宋元时期仕女图较为罕见，这与当时花鸟画盛行有很大的关系。
唐寅是一个饱尝了世态炎凉滋味的画家，同时又是一位才华横溢的江南才子，但仕途落魄。二十九岁时因为科场舞弊案被无辜牵连，蒙冤入狱。他遭此打击，再也无心为吏。许多昔日向他求诗乞画的座上客，转而将他视若路人。图中玉立一高髻簪花女子，体态丰盈，举止安详，头部勾勒精工，晕染匀称，是富贵人家之少妇形象，此画品相完美，其艺术价值不可估量，当为传世之宝。
英文翻译 ：Selective dissemination of Chinese ancient famous works: LanYing includes LanYing writing a page of "landscape", "flower" album, "baiyun mangrove figure" "white tree hongyun figure", "big imitation chi scenery photo", "imitation Huang Heshan firewood landscape", "copy other landscape", "copy a monk to go landscape", "red leaves autumn poultry figure", "Jiang Gao snow figure", "the thatched pavilion reminisce figure axis", "autumn ng figure" ", "Qiushan Map", "Qiushan Travel Map Axis", "Qiushan secluded map", "Qiushan Fishing hidden Map", "Pine Luo Late emerald Map", "Kishan Autumn Color Map" volume. Such works. It is an excellent model for contemporary learning Chinese traditional painting.
Old picture of Maoting
He was devoted to Huang Gongwang"s paintings. Contemporary predecessor Shen Zhou"s paintings are also enthusiastic teachers. In addition, the roaming north and south dabbling is wide, since the horizon is wide, so the pen and horizontal ancient, Xiu run style. Lanying"s creation after the age of 65 is the most wonderful period in her life. At this time, on the basis of mastering previous techniques, he set up his own house and formed his own painting style. Some people commented on his painting style in his later years, "like Zhonggui, like Qinan", a word that Lanying painting style in the origin of the relationship with literati painting and the vigorous and vigorous painting style in his later years.
The painting is styled by Dong Yuan, with fine brush and ink. The painting method is greatly influenced by Dong Qichang, especially the trees on the right side of the picture are the standard "Huating School" painting method. From the top right of the picture "Beiyuan Taishou painting method in the Xixi of the setting purple Villa. Seventy-two old people blue ying ".
Today I would like to introduce to you a summary of "Maoting Quotes from the old Map" is made by Lanying when she was 72 years old, self-titled with Dong Yuan method, exquisite brush and ink, soft and ripe to. Chapped ran put freely, from the point of view of the works of this period, the style of writing is vigorous and sparse, Wei and sophisticated, painting style is a variety of faces some works subtle and elegant ink, some works green re color, fine painting, tone thick beautiful, the older and the more work. During this period, he was mainly quick and quick rough brush landscape, the outline of the rocks short, broken, restless, with broken pen dot moss, to side texturing brush; The trees are painted in a more curvy, older and stereotyped manner. The composition also basically forms a unified style: the lofty and majestic mountain is composed of angular geometry and piled up in a complex way, occupying most of the picture and leaning to one side, while leaving a certain space on the other side, the top of the mountain is prominent. There are waterfalls and trees in the mountains, and the foot of the mountain is embellished with fishing hermits and old treehuts. At the same time, the deformation phenomenon of lengthwise extension in the vertical axis painting of the mountain and transverse extension in the hand scroll appeared. This painting is rare in the world and has inestimable collection value.
Game figure
Look at the overall layout of "Chess diagram", there are three characters in the core position, the characters are divided into three positions, and two people are playing chess. The one on the right is a middle-aged man who is preparing to make a decision, and the one on the left is a middle-aged man who is holding a chess piece with the tip of his right thumb and index finger, looking at each other with his eyes, as if he is thinking something. And the boy in red between them was also looking at how the chess game was going. There was a slight flush on his cheeks and a slight smell of wine. Here it could be understood that he was too much into watching chess.
"Chess picture" it is Zhang Daqian"s fine works, Gao Shi people are in the vernal breeze, willow branches sway below the environment steal floating, chess layout world. The figures in the picture are appropriately proportioned, dignified, lifelike and introverted. The figures are in line with the characteristics of that era, whether the headdress or the pleats, the chess player"s headdress with Dunhuang wall theme paintings of mineral pigments; Hair and eyebrows on temples, outline detailed. This is Zhang Daqian with elegant method, clear and unambiguous description of the concrete embodiment. Savor, its characters lifelike, rich expression, inner activities sensible, free and easy with the pen, elegant, very collection value.
Tang Yin (1470 -- 1523), courtesy name Bohu, courtesy name Ziwei, courtesy name line, number six, such as Lay Scholar, Master of Peach Blossom Temple, Tang Sheng of Lu State, Xianquan of Zhuchan, etc., was a native of Hangzhou. A famous painter and poet of the Ming Dynasty. It is said that he was born in Yin Yin year Yin month Yin day Yin Shi in the sixth year of Emperor Xianzong Chenghua of Ming Dynasty, so he was named Yin.
Portrait of a lady in Tang Yin
This picture is a representative of Tang Yin"s figure painting style of meticulous brushwork and heavy color painting, which shows his superb skills in modeling, pen use and color setting. The ladies" figures are well-proportioned and graceful, with their shoulders cut and backs narrow, and their brow and nose decorated with "three whites", which not only absorb the characteristics of the "Tang makeup" created by Zhang Xuan and Zhoufang, but also reflect the aesthetic fashion of the Ming Dynasty, which pursues the beauty and beauty. Smooth and orderly, and through the slightly inclined head, slightly bent standing posture and climbing arms, the formation of dynamic changes and close connections, strengthen the image of richness and vividness. The brush and ink skills are close to the violins of the Law, far from the Tang Dynasty, and the clothing lines are described as strings, fine strength and smooth, full of elasticity and texture, and the crown decoration painting is especially seen in seiko, meticulous. The color is bright, the strong contrast of both shade and shade, cold and warm colors, and the clever transition and collocation of similar color and lustre make the overall tone rich and harmonious, and elegant in rich and colourful. Works of painting style with elegant and popular artistic characteristics.
Lady: The term "lady" first appeared in the Famous Paintings of the Tang Dynasty by Zhu Jingxuan, which mentioned that Zhou, Chen Hong, Zhang Xuan, Cheng Xiualready, Gao Yun, Tan Jiao, Wang, Xiao Qin, Yue Jun, Zhang She, Zhang Rong and Li Cha were all good at painting "lady". To, in the middle of the song dynasty "aspects" has been widely used, the word represents the beautiful and intelligent woman in ancient China, generations of painters keen to describe objects, are specialized in traditional Chinese painting "traditional Chinese painting" category, generations of painters consolidators in accordance with the ideal of "beauty" to shape their own heart lady image, however, in the male supremacy in ancient China, The ideal lady is more like a gentle and elegant not common study, with the natural principles of Qin Qi calligraphy and painting accompanied, dotted with the leisurely life of the past generations of literati.
Ladies" paintings, also known as "ladies" paintings", are paintings based on the lives of upper-middle class women in feudal China. It is a typical pattern of porcelain decoration, and the picture takes ladies as the theme. It was first seen in Changsha kiln porcelain in Tang Dynasty. In the Song and Yuan dynasties, lady pictures are rare, which is closely related to the prevalence of flower-and-bird paintings.
Tang Yin was a painter who had experienced the taste of the world and was also a talented scholar in Jiangnan, but his career was down and out. At the age of 29, he was wrongly imprisoned because he was involved in a fraud case. This smote him, and he was no longer a publican. Many of his former guests, who begged for poems and paintings, turned to him as a passer-by. In the picture, Yuliyi hairpin woman, plump body, serene demeanor, the head outline seiko, dizzy symmetry, is the image of the rich young woman, the picture is perfect, its artistic value is inestimable, when handed down the treasure.
