在国画大师的笔下，祖国万里河山不仅气势逼人，而且极具文人精神，尤其是在国庆节期间，国画大师们更是用自己的画笔，为大家记录了祖国的秀丽风景，让人叹为观止。毕竟祖国幅员辽阔，各地风光无限，呈现在大家面前的景色各异，因而无论是文人墨客，或者是绘画大师，都以自己的独特方式称赞祖国母亲，非常值得称道。
李可染《万山红遍》
在1963年，由李可染先生创作的这幅中国油画，至今仍然被收藏在中国美术馆。在新中国成立之初，李可染先生就提出为祖国河山立传的主张，时至今日，仍然影响着一代又一代的艺术家。在李可染的笔下，祖国的万里河山呈现了别样的风采，给人一种非常震撼的感觉。
李可染1964年作于西山的《万山红遍》（尺幅最大的一幅）在北京保利2012春拍上以2.93亿元拍出。
《万山红遍》的诞生，有着特殊而深刻的时代烙印。1954年，李可染、张仃和罗铭克服重重阻力，赴江南写生，由此拉开了中国新山水画变革的序幕。此后，以赵望云、石鲁、傅抱石、钱松嵒等为代表的长安画派、新金陵画派等也开始走向真山真水，描绘新中国日新月异的山川新貌，描绘新时代热火朝天的建设场景。与此同时，毛泽东诗词逐渐成为中国画坛极为重要的创作主题，各家各派纷纷投入创作，以展现其诗词中的山水意境。1960年结束多年写生、重新回归画室创作的可染先生，也自然而然地开始涉足这一题材。
1961-1964年间，李可染共创作了七张尺幅各异的《万山红遍》。其中三幅现分别藏于中国美术馆、中国画院和荣宝斋；一幅为可染先生家属收藏；另有一幅被台湾著名藏家珍藏。2012年，李可染创作的尺幅最大的一幅的《万山红遍》以2.93亿元成交；2015年，另一幅《万山红遍》以1.84亿元易主。
《万山红遍》完整地展现了一代大师举世无双的艺术风格与审美境界；与此同时，它也无声地讲述着可染先生在动荡而光辉的二十世纪里，为中国画的继往开来进行过怎样艰苦卓绝的求索，为山水画的传承革新开辟了怎样超凡脱俗的天地。作为李可染大师里程碑式的代表作，《万山红遍》可谓当之无愧的旷世经典。
《春闺倦读图》
《春闺倦读图》主色为金、碧两色，不但讲究同一色系颜色的层次感，将矿物色和植物色巧妙配用，使得画面色相丰富、浓润相宜;而且讲究不同视点的颜色呼应，如玫瑰花与女子脸部、手部的粉色相呼应，花瓶和女子衣服的青色相呼应，簪上的珠花与香匙的金色相呼应，佛手盘与香盒上的砖红色相呼应，高几、竹箫、桌案的深赭色相呼应，挂画、书本、香炉、鼓凳、墙壁的浅赭色相呼应。通过这些用色手法，《春闺倦读图》拥有了和谐的色彩，呈现出主色鲜明、亮点突出、色韵生动的艺术效果。
《春闺倦读图》中所画的女子身材苗条、面容清秀，她发髻高挽，并外裹黑色包布，此为明代以来汉人的流行装束，布口打着蝴蝶结，横插一支粉珠金簪加以固定，发髻边插珠花点翠发甸，珠花没有花萼，应是桃花。她身着立领青色长裙，这种款式在清代并不多见。立领上有两枚盘扣，扣下装饰一颗红色玛瑙珠。立领显出人物脖颈修长，也增加人物的端庄感和飒爽气质。领口和袖口的颜色稍深，为靛青色，和裙子主体的天青色形成和谐的色阶，袖口上绣着连绵的蝙蝠纹，寓意多福。
长裙上稀疏地洒满淡青色的兰花，裙上褶皱所形成的线条就像是兰草修长的叶子，托起朵朵兰花在微风中摇曳，使整件衣服充满动感，使衣中人仿佛散发着空谷幽兰的静雅和清香。单髻这种发型是清代已婚女子才用的，未婚女子多留双髻，而且女子身着青衣，在中国传统文化中，“青衣”多指代已婚年轻女子，暗示画中的女主角是位成婚不久的新妇。在古代绘画中出现的正在读书的女子往往身穿青衣，是因为在清朝文人的意识中，“青”是和“读”相关的雅色。
上图画满猴子上树，树上喜鹊飞翔，寓意长寿，喜事当头，笔锋凌厉，树干转折自然生动，艺术境界极高，极具收藏价值。
刘奎龄（1885-1967），字耀辰，号蝶隐，自署种墨草庐主人，祖籍浙江绍兴，出生于天津。中国美术家协会会员，擅长中国画，精于工笔鸟兽，虫草。刘奎龄自幼学习郎世宁画法，研究五代、宋、元诸家，尤其是明代吕纪、清代沈铨的画技，并将西洋画之色彩、透视比例融合于中国传统工笔画之中，形成自己特有的艺术风格。其作品纤细逼真，形态自然。
刘奎龄松鹤图
名家辈出的二十世纪画坛中，刘奎龄是一位卓尔不群的艺术大师，古人云：学者必有师，刘奎龄却是独辟蹊径，自学成才。其私淑古人，却不拥有古人的真迹；他没有出国留洋，也没有进过正规的美术院校，却在中西方文化互相渗透花鸟画、动物画的技法之结合上作的是如此的优秀。刘奎龄的国画技艺全面，花卉、禽鸟、畜兽、山水画均取得了较高成就，但画畜兽、禽鸟的造诣最能独步画坛。
刘奎龄(1885─1967)，字耀辰，号蝶隐，自署种墨草庐主人。中国近现代美术史开派巨匠，动物画一代宗师，被誉为"全能画家"，能工善写，擅长动物、植物、人物画及山水画。
他描摹的动物种类之多，范围之广至今无人可追;他善于"势"的营造，绘画作品"虚处不嫌窗框松，实处勿感板结紧"，其画风华滋清润，厚劲灵动，意境深邃。
近年来，一向颇聚人气的刘奎龄书画作品成了拍市上的俏货，其花鸟、山水等四屏画作价格稳定在400万元以上。
两个仙物珠联璧合在一起即被寓意：人如松鹤般高洁，长寿。人们都希望青春永驻、健康长寿。寓意健康长寿的松鹤图成为国画中的经典题材，用于祝寿，特别适合老年人家中悬挂。
2015年6月，印度尼西亚藏家郭瑞腾所藏刘奎龄《动物八屏》，在北京保利春拍上以920万元拍出，是刘奎龄迄今为止画作最高价，此画亦是刘老师之力作，寓意吉祥，十分耐赏，品相完美，画面生动唯美，极具收藏价值。
英文翻译 ：In the Chinese painting master"s pen, the motherland is not only imposing, but also very literati spirit, especially during the National Day, the Chinese painting masters are using their own brushes, for everyone to record the beautiful scenery of the motherland, let people take the breath away. After all, the motherland is vast, scenery is infinite, presented in front of the different scenery, so whether literati, or painting masters, in their own unique way to praise the mother of the motherland, very commendable.
A Thousand Hills Are Red by Li Keran
This Chinese oil painting, created by Mr. Li Keran in 1963, is still in the National Art Museum of China. At the beginning of the founding of the People"s Republic of China, Mr. Li Keran proposed to write a biography of the motherland, which has still influenced generations of artists to this day. In Li Keran"s pen, the motherland of the mountains and rivers show a different style, give people a very shocking feeling.
Li Keran"s 1964 painting "Ten Thousand Hills Are Red," the largest of its kind, sold for 293 million yuan at Poly"s 2012 Spring auction in Beijing.
The birth of "Red Mountains" has a special and profound brand of The Times. In 1954, Li Keran, Zhang Ding and Luo Ming overcame many obstacles and went to Jiangnan to sketch, which opened the prelude to the reform of Chinese new landscape painting. Since then, with Zhao Wangyun, Shi Lu, panting, 钱松嵒 represented by changan painting, new jinling painting also began to true mountain true water, depicting the new changing of mountains and rivers, to portray a new era for the construction of the scene passion. Kean, who returned to his studio after years of sketching in 1960, naturally began to dabbled in the subject.
From 1961 to 1964, Li Keran created seven paintings of different sizes, All Mountains Are Red. Three of them are now in the National Art Museum of China, the Chinese Academy of Painting and Rong Baozhai; One for the family of Mr. Can dye collection; Another is in the collection of a famous Taiwanese collector. In 2012, the largest painting by Li Keran, Wanshan Hongfen, was sold for 293 million yuan. In 2015, another painting, "Ten Thousand Hills Red Times," changed ownership for 184 million yuan.
"Red Mountains" fully shows a generation of masters unparalleled artistic style and aesthetic realm; At the same time, it is also a silent story about how Mr. Kran in the turbulent and glorious 20th century, for Chinese painting to carry on the past and open up how the inheritance and innovation of landscape painting opened up an extraordinary world. As a landmark representative work of Master Li Keran, Mountains Are Red All Over can be said to be an outstanding classic.
Spring Girlfriends Tired of Reading Pictures
"Spring boudoir tired to read the picture" the main color for gold, blue two colors, not only pay attention to the same color layer sense of color, will mine and plant color cleverly matched, make the screen color rich, thick embellish appropriate; And pay attention to different point of view of color echo, such as roses and women face, hand pink photograph echo, vases, and women"s clothing cyan photograph echo, Dan bead flower and sweet spoonful of golden color photograph echo, bergamot brick red on pallets and fragrance box photograph echo, high several, ZhuXiao, you had deep ochre photograph echo, hang a picture, books, incense burner, drum stool, wall light ochre photograph echo. Through these color techniques, "Spring Boudoir tired to read the picture" has a harmonious color, showing the main color bright, highlight, vivid artistic effect of color.
The woman in "Spring Boudoir Tired to Read the Picture" has a slim figure and a beautiful face. Her hair is tied up in a high bun and wrapped in black cloth, which has been a popular costume of the Han people since the Ming Dynasty. The cloth is tied with a bow at the mouth and fixed with a pink bead and gold hairpin. She wore a blue dress with a standing collar, a style not often seen in the Qing Dynasty. There are two plates on the collar, buckle decorated with a red agate bead. The standing collar shows the slender neck of the figure, but also increases the dignity of the figure and the rustling temperament. The neckline and cuffs were darker, indigo, in harmony with the azure of the dress"s main body, and the cuffs were embroidered with a continuous bat pattern, symbolizing good fortune.
The dress sparsely sprinkled with light blue orchids, the lines formed by the wrinkles on the skirt are like the slender leaves of blue grass, holding up the orchids swaying in the breeze, so that the whole dress is full of movement, so that the person in the dress seems to be sending out the quiet elegance and fragrance of empty valley orchid. This hairstyle was only used by married women in the Qing Dynasty. Unmarried women often wear double buns and the women wear green clothes. In traditional Chinese culture, "green clothes" refers to a young married woman, implying that the heroine in the painting is a newly married woman. In ancient paintings, women reading books are often dressed in green clothes because in the minds of scholars in the Qing Dynasty, green was an elegant color associated with reading.
The picture is full of monkeys on the tree, the magpie flying on the tree, meaning longevity, good luck, sharp strokes, trunk turning natural vivid, high artistic realm, very collection value.
Liu Kuiling (1885-1967), courtesy name Yaochen, alias Diyin, was born in Tianjin, and his ancestral home was Shaoxing, Zhejiang Province. Member of Chinese Artists Association, good at Chinese painting, good at meticulous birds and animals, caterpillar fungus. Liu Kuiling studied the painting technique of Lang Sining since he was a child, and studied the painting techniques of the five dynasties, Song and Yuan Dynasties, especially Lyu Ji of Ming Dynasty and Shen Quan of Qing Dynasty. He also integrated the color and perspective proportion of western painting into traditional Chinese fine brush painting, forming his own unique artistic style. Their works are slim and realistic, and their shapes are natural.
Liu Kuiling pine crane
In the 20th century painting world, Liu Kuiling is an outstanding art master. As the ancients say, a scholar must have a teacher, but Liu Kuiling is unique and self-taught. He was selfish to the ancients, but did not possess the original works of the ancients; He did not go abroad, nor did he enter a formal art school, but he made such an excellent combination of flower and bird painting and animal painting techniques in the infiltration of Chinese and Western culture. Liu Kuiling"s Chinese painting skills are comprehensive, flowers, birds, animals, animals, landscape painting have achieved high achievements, but the painting of animals, birds and animals, the attainments of the most unique painting world.
Liu Kuiling (1885 -- 1967), courtesy name Yaochen, alias Diyin, was the owner of the ink grass cottage. He is a great master of modern and contemporary Chinese art history and a master of animal painting. He is known as the "all-round painter". He is good at writing and painting animals, plants, figures and landscapes.
The variety and range of animals he described have never been matched; He is good at the construction of "potential", painting works "virtual place do not dislike the window frame loose, real place do not feel the board tight", its painting style is moist, thick, smart, profound artistic conception.
In recent years, Liu Kuiling"s painting and calligraphy works, which have always been quite popular, have become a beautiful thing in the market. The price of his four-screen paintings, such as flowers, birds and landscapes, is stable at more than 4 million yuan.
Two celestial objects together is implied: people like pine cranes as noble, longevity. People want to stay young and healthy for a long time. The picture of pine and crane, which means health and longevity, has become a classic theme in traditional Chinese painting. It is used for birthday celebration and especially suitable for hanging in the home of the elderly.
In June 2015, the Indonesian collector Guo Ruiteng"s "Eight Screens of Animals" by Liu Kuiling was auctioned at Beijing Poly Spring Auction for 9.2 million yuan, which is the highest price of Liu Kuiling"s paintings so far. This painting is also a masterpiece of teacher Liu, with auspicious meaning, very tolerant appreciation, perfect appearance, vivid and beautiful picture, and has great collection value.